The Project
by Erin Marie Lynch
From the claim I lay to those no longer with me –
From the desktop folder to which I drag another .jpeg, another .mov –
From syllables kept under the tongue –
From boiled eggs, dry chicken, unsalted greens –
From the taste that lingers when the meal is gone –
From the day I learn an uncle had spoken Dakota –
From telling my mother, who replied I never knew –
From waking into sudden ringing silence on my
30th birthday, in another new home, in
another new state –
From punctuation to punctuation –
From dandelions I joined into a circle when I was
younger –
From this uncle, who died with no one to speak to –
From his grandmother, buried in Standing Rock –
From the .jpeg of her headstone, carved with her
name, Elisabeth, and the years of her life –
From the absence I felt inside night after night,
stomach walls collapsing –
From the hunger in my body, surging toward
a love over whom I no longer held claim –
From stamen to root –
From the prairies of the homeland, where Elisabeth
lived when she was younger –
From settlers who claimed that land for statehood –
From the eaves of my new home, where a pair
of pigeons perched, encroaching –
From a video of the two of us I couldn’t bring
myself to delete, in which I was smiling –
From lo even the briefest joining of earthly things –
From the dandelion seeds settlers scattered across
the continent to make it look like home –
From the English language, and its shifting definitions,
and its rule of law –
From 1862 –
From Hungry men will help themselves, said a chief,
declaring war –
From that war –
From the exiled survivors, including Elisabeth –
From the smell after uprooting a dandelion,
and the stains –
From all my mother never knew –
From how could she have known, when no-longer-
knowing is the State’s ongoing project –
From the baby, according to a Dakota telling,
snatched from its mother and dashed
to the ground –
From official histories that claim there were
few deaths along the march –
From these few, each with a name their family knew –
From the passive voice –
From the dash, which elides –
From the edible dandelion, a slightly bitter green,
with waxy milk running through –
From the long no longer –
From stems uprising between us –
To this I come
Erin Marie Lynch is a poet and artist. Her writing appears in New England Review, Gulf Coast, DIAGRAM, Best New Poets, and other publications, while her performance and video work has been featured at a variety of exhibitions and festivals. A winner of Narrative Magazine’s 30 Below Contest, she has been the recipient of fellowships from the Hugo House and the Bill & Ruth True Foundation. Born and raised in Oregon, she is a descendant of the Standing Rock Sioux Tribe. Currently, she is a PhD candidate in Creative Writing and Literature at the University of Southern California. You can find her at erinmarielynch.com